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French language. 11.65x9.61x1.18 inches. In Stock.

Originally released in 2006. Starring Franois Ngret, Jacques Spiesser, Robinson Stvenin.

Professor Lienhard deals here primarily with the first half of the 16th century, a momentous period which saw the rise and first triumphs of evangelical Christianity. His focus is upon the town of Strasbourg, one of the places where the Reformation first left its mark, and the articles combine to present an illuminating picture of the town's social and religious evolution over the period. Some approach the subject at an individual level, with studies of the protagonists in the events - such as Martin Bucer, Matthieu Zell or Thomas Murner - and their differing religious viewpoints. Other articles take a broader perspective, analysing the social and political background to the triumph of the Reform, the gradual emergence of a new order, and local attitudes towards the new dissidents, the Anabaptists. An important section of additional notes and comments completes the volume. Le Professeur Lienhard s’attache ici, avant tout, à la premiere motié du XVIe siècles, période capitale, qui vit la montée et les premiers triomphes du christianisme évangélique. Il se concentre sur Strasbourg, un des lieux où la Réforme laissa très tôt sa marque. L’ensemble des articles présente une image clarifante de l’évolution sociale et religieuse de la ville durant cette période. Certains abordent le sujet au travers de l’étude de plusiers des protagonistes aillant pris part aux événements - tels que Martin Bucer, Matthieu Zell ou Thomas Murner - et examinent aussi leurs différents points de vue religieux. D’autres prennent une perspective plus large, analysant le contexte politique et social à la base de triomphe de la Réforme et de la naissance d’un ordre nouveau, ainsi que les prises de position locales envers les nouveaux dissidents, les Anabaptistes. Dès a present, ce recueil est accompagné d’une importante section de notes adittionnelles et de commentaires.

320 pages. French language. 6.93x4.33x0.71 inches. In Stock.

Professor Lienhard deals here primarily with the first half of the 16th century, a momentous period which saw the rise and first triumphs of evangelical Christianity. His focus is upon the town of Strasbourg, one of the places where the Reformation first left its mark, and the articles combine to present an illuminating picture of the town's social and religious evolution over the period. Some approach the subject at an individual level, with studies of the protagonists in the events - such as Martin Bucer, Matthieu Zell or Thomas Murner - and their differing religious viewpoints. Other articles take a broader perspective, analysing the social and political background to the triumph of the Reform, the gradual emergence of a new order, and local attitudes towards the new dissidents, the Anabaptists. An important section of additional notes and comments completes the volume. Le Professeur Lienhard s’attache ici, avant tout, à la premiere motié du XVIe siècles, période capitale, qui vit la montée et les premiers triomphes du christianisme évangélique. Il se concentre sur Strasbourg, un des lieux où la Réforme laissa très tôt sa marque. L’ensemble des articles présente une image clarifante de l’évolution sociale et religieuse de la ville durant cette période. Certains abordent le sujet au travers de l’étude de plusiers des protagonistes aillant pris part aux événements - tels que Martin Bucer, Matthieu Zell ou Thomas Murner - et examinent aussi leurs différents points de vue religieux. D’autres prennent une perspective plus large, analysant le contexte politique et social à la base de triomphe de la Réforme et de la naissance d’un ordre nouveau, ainsi que les prises de position locales envers les nouveaux dissidents, les Anabaptistes. Dès a present, ce recueil est accompagné d’une importante section de notes adittionnelles et de commentaires.

Mai 1967 , La vie semble paisible au sein des ministères et des délégations étrangères, à Bonn, cette " petite ville en Allemagne" que rien ne prédestinait à devenir une capitale européenne et encore moins un enjeu mondial de la Guerre froide. Pourtant l'émoi s'empare de l'Ambassade de Grande -Bretagne lorsque ses membres constatent la disparition d'un de leurs leurs collègues et de ... quarante-trois dossiers ultraconfidentiels. À l'heure où leur pays négocie à Bruxelles son entrée dans dans le Marché commun, les Allemands ne doivent pas savoir. A aucun prix. Ils ne doivent pas savoir que Leo Harting a disparu et qu'il est recherché. Ils ne doivent pas savoir qu'il y a eu des fuites. Alan Turner, l'officier de sécurité, est dépêché à Bonn pour retrouver l'homme et les dossiers disparus. Quels secrets Leo Harting dissimule-t-il ? Que recherche-t-il avec tant d'obstination? C'est ce que Turner découvre au terme d'une enquête mouvementée où l'odieux passé nazi refait surface dans une Allemagne qui s'acharne à oublier.

Paris, histoire d'une ville En 1789, Paris comptait moins de 600 000 habitants. À partir de la Restauration, sa population double en cinquante ans, quadruple en un siècle sous l'effet de migrations très fortes. Déjà centre politique et culturel, la capitale devient aussi le principal centre économique et financier : sa puissance inquiète, sa richesse fait envie. Effrayés par la grande métropole, les régimes successifs lui ont tous refusé l'autonomie et l'ont quasi administrée directement. Les monarchies du XIXe siècle ont essayé d'aménager la capitale. La Troisième République, appuyée sur des notables ruraux, l'a négligée. Depuis le régime de Vichy, Paris semble être devenu le bouc émissaire de l'aménagement. Derrière les critiques mal fondées et les politiques antiparisiennes, on devine une doctrine antiurbaine, apparue avec les fascismes des années 1930, qui s'oppose encore à la grande ville.

Bazzana, A. / P. Cressier: Shaltish / Saltes (huelva). Une Ville Medievale D'al-andalus. Madrid, 1989, 104 P. Figuras.encuadernacion Original. Nuevo.

A city built on two millennia of history, Paris is entering the third century of its love story with photography.It was on the banks of the Seine that Niépce and Daguerre officially gave birth to this new art that has flourished ever since, developing a distinctive language and becoming a vital tool of knowledge.Paris: Portrait of a City leads us through what Goethe described as a “universal city where every step upon a bridge or a square recalls a great past, where a fragment of history is unrolled at the corner of every street.” The history of Paris is recounted in photographs ranging from Daguerre’s early incunabula to the most recent images―an almost complete record of over a century and a half of transformations and a vast panorama spanning more than 600 pages and 500 photographs. This book brings together the past and the present, the monumental and the everyday, objects and people. Images captured by the most illustrious photographers―Daguerre, Marville, Atget, Lartigue, Brassaï, Kertész, Ronis, Doisneau, Cartier-Bresson, and many more―but also by many unknown photographers, attempt to bottle just a little of that “Parisian air,” something of that particular poetry given out by the stones and inhabitants of a constantly changing city that has inspired untold numbers of writers and artists over the ages.Presenting an exciting patchwork of images from past and present, Paris: Portrait of a City is a huge and unique photographic study that, in a way, is the true family album of all Parisians. It is to them, and to all lovers of this capital city, that this vibrant, loving, and tender testimony is dedicated.

Bazzana, A. / P. Cressier: Shaltish / Saltes (huelva). Une Ville Medievale D'al-andalus. Madrid, 1989, 104 P. Figuras.encuadernacion Original. Nuevo.

JEAN-MICHEL JARRE. Paris-La Défense, une ville en concert. P., 1991, in-folio, cart. pl. toile ss. emboît. cart. ill., 77 p., nombr. ill. en coul.

New! This book is in the same immaculate condition as when it was published 9.3

This bumper photographic portrait of Rome brings together hundreds of photographs from the 1840s through to today to explore the extraordinary history, beauty, and art of this incomparable cultural capital.From sepia and black and white to color, these outstanding images dating from the 1840s to the present day allow us ― through the eyes of such photographers as Giacomo Caneva, Pompeo Molins, Giuseppe Primoli, Alfred Eisenstaedt, Carlo Bavagnoli, Henri Cartier-Bresson, Pasquale De Antonis, Peter Lindbergh, Slim Aarons, and William Klein ― to discover Rome in its many compelling guises: as the center of the Roman Empire, as one of the cradles of the Renaissance, as a favorite destination for travelers and a rich patchwork of varied neighborhoods, as the seat of the Roman Catholic Church, a stage for politics, and as the perfect backdrop for film and fashion shoots.Reaching back into illustrious archives, some of the book’s early images offer us a privileged Grand Tour glimpse of some of Rome’s most treasured landmarks, revealing the Colosseum, Roman Forum, and Spanish Steps almost void of crowds. Later pictures survey the city’s contrasts―from the luxurious homes and leisure activities of the privileged to street stalls and laundry lines in the working class districts of Trastevere and Testaccio. Some documentary-style shots show us the dark power of Mussolini, the city bedecked with his own iconography and imagery of strength, athleticism, and the fatherland.As color photography comes in, the city transitions from a neo-realismo aesthetic to postwar recovery and hedonism: all the glamorous gowns, exotic celebrities, and Via Veneto café culture immortalized by Fellini. Many famous faces are here, including Louis Armstrong, Elizabeth Taylor, Audrey Hepburn, Marcello Mastroianni, Sophia Loren, Pier Paolo Pasolini, Anna Magnani, and Valentino.

Attention: Ancien support de bibliothèque, plastifié, étiquettes. Merci, votre achat aide à financer des programmes de lutte contre l'illettrisme.

Buy with confidence! Book is in good condition with minor wear to the pages, binding, and minor marks within 8.91

Vienna combines drama and elegance like no other. For centuries the heart of the Austro-Hungarian Empire, the stately city on the Danube, has been defined by vast palaces and imperial grandeur―but behind the Baroque opulence, Vienna is also a place of genteel coffee house culture, epicurean tradition, and a heritage of both delicate and daring music, art, and design, from Johann Strauss to Egon Schiele, from Gustav Mahler to Josef Hoffmann.This volume is a treasure trove of photography from the last 175 years, following the evolution of Vienna from imperial capital to modern metropolis. Like a visual walk through time and cityscape, hundreds of carefully curated pictures trace the developments in Vienna’s built environment and the cultural and historical trends they reflect, whether the urban Gesamtkunstwerk of the 19th-century Ringstrasse or the experiments of “Red Vienna” in the 1920s, when the city had a social democrat government for the first time.Through these remarkable photographs, we discover not only the great landmarks and lesser-known corners of Vienna, but also the ubiquity and the tumult of its history. We see the cultural blossoming of the fin de siècle, when radical innovators such as Gustav Klimt, Egon Schiele, Adolf Loos, and Sigmund Freud turned Vienna into a “laboratory of modernity”; the clashes of 1934; the ascent of Nazi dictatorship; and the horrors writ by the Holocaust in what was once one of the most populous and multi-ethnic cities on earth. More recently, fascinating postwar photographs explore the Vienna of the Third Man, at once a city in ruins and a hub for spies. The book closes with the most recent pictures, celebrating the emergence of today’s Vienna―one of the most attractive cities in Europe, in which rich history once again coexists with international flair and vibrant contemporary culture.

Book is in very good condition and may include minimal underlining highlighting. The book can also include "From the library of" labels. May not contain miscellaneous items toys, dvds, etc. . We offer 100% money back guarantee and 24 7 customer service.

This bumper photographic portrait of Rome brings together hundreds of photographs from the 1840s through to today to explore the extraordinary history, beauty, and art of this incomparable cultural capital.From sepia and black and white to color, these outstanding images dating from the 1840s to the present day allow us ― through the eyes of such photographers as Giacomo Caneva, Pompeo Molins, Giuseppe Primoli, Alfred Eisenstaedt, Carlo Bavagnoli, Henri Cartier-Bresson, Pasquale De Antonis, Peter Lindbergh, Slim Aarons, and William Klein ― to discover Rome in its many compelling guises: as the center of the Roman Empire, as one of the cradles of the Renaissance, as a favorite destination for travelers and a rich patchwork of varied neighborhoods, as the seat of the Roman Catholic Church, a stage for politics, and as the perfect backdrop for film and fashion shoots.Reaching back into illustrious archives, some of the book’s early images offer us a privileged Grand Tour glimpse of some of Rome’s most treasured landmarks, revealing the Colosseum, Roman Forum, and Spanish Steps almost void of crowds. Later pictures survey the city’s contrasts―from the luxurious homes and leisure activities of the privileged to street stalls and laundry lines in the working class districts of Trastevere and Testaccio. Some documentary-style shots show us the dark power of Mussolini, the city bedecked with his own iconography and imagery of strength, athleticism, and the fatherland.As color photography comes in, the city transitions from a neo-realismo aesthetic to postwar recovery and hedonism: all the glamorous gowns, exotic celebrities, and Via Veneto café culture immortalized by Fellini. Many famous faces are here, including Louis Armstrong, Elizabeth Taylor, Audrey Hepburn, Marcello Mastroianni, Sophia Loren, Pier Paolo Pasolini, Anna Magnani, and Valentino.

Book is in NEW condition. 8.91

Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.